Didnt like this part
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I agree. It was kind of like date rape. But one may argue that at that moment Deckard was having major issues going on. Here he is, a Blade Runner--killer of replicants--, and he has now gotten emotionally involved with a "machine". Pushing her might've been a way for him to vent the frustration of the sympathy he's developed for female reps. This was clearly against the "code" of the blade runner.<BR><BR>If you've read DADOES, this issue is covered in a lot more depth when Deckard talks to the other blade runner, Phil Resch. I quote:<BR><BR>"Wake up and fece you're self, Deckard. You wanted to go to bed with a female type of andriod--nothing more, nothing less. [-] What happened is that you've got your order reversed. Don't kill her and then feel physically attracted. Do it the other way."<BR><BR>Deckard: "Go to bed with her first--"<BR>Resch: "--and then kill her."<BR>(p. 125)<BR><BR>
I agree, this scene in the film was easily the most uncomfortable. However, after years of viewing other RS films, I noticed this simillar trend in the male leads in his films. In Gladiator, for example, there are a couple of scenes reminecsent of that scene in BR. It seems to me this is a bizarre quirk in RS's character, I've seen this kind of behaviour in other films he's done.<BR><BR>Zero<BR><!-- BBCode auto-link start --><a href="http://wwww.dracule.com" target="_blank">http://wwww.dracule.com</a><!-- BBCode auto-link end -->
Elite Rep Detector
Posts: 420
Joined: Mon Jul 30, 2001 6:00 pm
Location: Dune, Arakis, desert planet...
I kind of like this scene. Okay, that's no way to treat a lady but I don't think that's the issue here. The brutal passion and subtle insecurity sets the replicants apart from human beings and make them quite strange in a charming way. That is if one assumes Deck is a replicant of course...
Replicants have more fun!
One could argue that, if Deckard is a replicant, then he would not have had time to create real emotions. Replicants have no emotions but are thought to create them themselves as a part of evolution. If Deckard and Rachel have no emotions then the scene would not be so violently wrong???<BR><BR>but then again, what about Roy's emotions.... maybe he has developed what Deck and Rachael have not??
Sure I did. You can hear it clearly. It says put your hands on me like 3 or 4 times, and then sings "touch me". I wonder if, given that Sean Young was involved in the game, did she 'sing' that song?
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You guys should read 'Future Noire' - there's four and a half pages about this scene (for those that have it - page 162, "Rachael lets down her hair").<BR><BR>I'm not going to reproduce it here, but here's a few key points:<!-- BBCode ulist Start --><UL> <BR><!-- BBCode --><LI> Harrison Ford and Sean Young hated each other in reality<BR><!-- BBCode --><LI> Hampton Fancher didn't want a 'love' scene in his movie script<BR><!-- BBCode --><LI> Ridley wanted to depict a 'rough' encounter<BR><!-- BBCode --><LI> The original sequence is a lot longer and actually turns into a much more tender scene than the final edit suggests<BR></UL><!-- BBCode ulist End -->My own opinion is that the scene, in it's current form, doesn't fit the moment - the longer version shows Rachael with her legs wrapped around Deckard - no chance of that being restored for the 'special edtion', then..<IMG SRC="/forum/images/smiles/icon_wink.gif"><BR><BR><BR>_________________<BR><!-- BBCode Start --><IMG SRC="http://www.deckard.worldonline.co.uk/filez/BR26354.gif" BORDER="0"><!-- BBCode End --><BR><BR><!-- BBCode Start --><B>The difference between the impossible and the possible is equal to the difference between today and tomorrow.</B><!-- BBCode End --><BR><BR><font size=-1>[ This Message was edited by: Deckard BR26354 on 2001-10-28 05:21 ]</font>
Richard Gunn
We each live in our own realities - who's maintaining yours?
The only thing that you can be 100% sure of, is that you can't be 100% sure of anything.
We each live in our own realities - who's maintaining yours?
The only thing that you can be 100% sure of, is that you can't be 100% sure of anything.
I don't want to be the over-the-top one here, but that scene was disturbing.<BR>It does a great thing in the movie, though.<BR>It was highly reminiscent of slave rape during the US slave-trade. It's clear that Deckard is imposing his power on Rachel during this scene. He is in physical and mental control of her for those moments.<BR>That is why, friends and neighbors, the happy crappy ending is even more disturbing. Deckard asserts his ownership and then runs off with her because he "loves" her? She doesn't even have full emotional capability at that time...<BR>It's every feminist's worst-case scenario of marriage.
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