Ask the producers - Which characters would you like to see?
Did Deckard and his lover ever make it to the country? maybe Holden has a new assignment to find them? spooky..
Moderator: Wilkins Rep-Detect BR2349
One of the ways I remember thinking about Blade Runner when it first came out was described by the intro to the Naked City, "There are 8 million stories in the naked city". The main story in Blade Runner was this relatively small story that crossed paths with other bigger stories (like Tyrell), and had a setting that just let you know there is so much more to explore in this dark, sultry, and even mystical place.
Every extra that crossed the screen seemed to have an interesting story of their own, and they all seemed interconnected by larger epic event that had unfolded before, and is happening behind the scenes in the movie itself. I like the idea that any new films just tell some of those stories, not as a prequel or sequel, but as a "sidequel". Something set in the same world that may also hint further about the larger unknown stories in the first film. Something that will give us more to talk about for the next 25 years perhaps.
The other things I ask of the makers of any new film are...
1-That the movie be intelligent, if you want to tap into the market of Blade Runner fans, I am willing to bet that they are all above average in intelligence, you have to appeal to them if you don't want to kill a "Franchise" before it becomes one.
2-That you don't make a roller coaster ride action film. Blade Runner may be called boring by some, but what makes so many people love it is that you can spend some time fully engulfed in that world.
3-That that world be realistic, and not glamorous. Some glamour as seen in Tyrell's office will be okay in contrast, but if every main character has unwrinkled clean clothes, and perfect skin and hair, I won't fall for the illusion, and it will look fake. I also relate better to actors that are a little odd looking than perfect and overly made up. It is this movies attention to that realism, that has kept it repeatedly watchable for so long.
4-That they hire some new and unrecognized talent. Nothing kills a movie more for me than having some "Star" that is constantly in the news and in other movies, and all ready overexposed. Unless they are an actor in the realm of the very best of the best, I won't be able to believe their character. Except for Harrison Ford, the rest of the actors in the first film were not stars yet, at least not in the US, or they were veteran character actors. Harrison was also just becoming a star at that time, and even though he may have been the biggest of the time, his star power did not make the movie a success.
5-They try to come up with some ideas that have not become cliche's. The original movie blew us away because it did so many things different from any other film before. Things that now have almost become convention themselves. And, I am not talking special effects, because all the special effects in that movie were done before in Close Encounters of the 3rd Kind. It was the music, the places, and over all the atmosphere. The movie works so well because it transported us to a new place and time that was exotic and still fully real.
The movie I first saw back in 1982-3, is still transporting me to this world. Because of it I have gone places in my own mind that I have never seen on film ever, and if any new film comes out and does not take me to places nearly as interesting as the ones in my own imagination, I will probably be sorely disappointed in it. If you want to use any of those notebooks full of places I have been to in my brain you can contact me here, and we can work out a deal
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