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Elite Rep Detector
Posts: 416
Joined: Tue Jul 10, 2007 6:49 pm
Location: Paranoia City, Valley Sector, LA County
msgeek wrote:top buzz wrote:nice one, the shot of the industrial building when the dove fly away bugged me the most in the old versions....
I like how there still is a suggestion of dawn breaking through the clouds. It's still cloudy and miserable but there is light streaming in a little.
I. J. Thompson wrote:One thing I found odd was the dissolve between the replifishmongers (did I just invent a word?) and Abdul's, on Animoid Row. I've learned well the old adage, 'if you can't solve, dissolve'...
Was the cut just not working otherwise? Seems like it would have.
Charles?
Veteran Blade Runner
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NMMan wrote:On a related note, would anyone else besides me have liked the shot of Holden through the other side of the wall with the smoking hole in his back from the WP to have been in the Final Cut?
Charles de Lauzirika wrote:I much prefer the look of anamorphic. The beautifully shallow depth of field you can get, along with those heavenly lens flares, helps create a look that is uniquely cinematic. In addition to Ridley's films shot in scope, I also love some of that '80s John Carpenter/John McTiernan anamorphic look.
Charles de Lauzirika wrote:I've heard from friends who work on camera crews that anamorphic lenses aren't being made as well as they used to, so flaws and focus problems are also a bigger concern now.
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