The Final Cut transfer that is on the DVD is exactly the same as it was (and is) during its recent theatrical run. So all of the comments you've heard regarding the picture and sound from the restoration represent how it will look and sound on DVD. So if you liked the way The Final Cut looked and sounded in theaters, your opinion shouldn't change based on the DVD.
The Archival Versions of the film (Theatrical, International, Director's Cut and Workprint) all follow the original color-timing that you've become accustomed to over the years. Just keep in mind that Ridley wasn't involved in those transfers, which is why there's a difference between those versions and the Final Cut.
I wish DVDRama had posted matching frames from the Archival Versions to show you this.